So, How Many Hats Do You Wear?
- Michael Bowen
- Pensacola, Florida, United States
- Husband. *Dog Dad.* Instructional Systems Specialist. Runner. (Swim-challenged) Triathlete (on hiatus). USATF LDR Surveyor. USAT (Elite Rules) CRO/2, NTO/1. RRCA Rep., FL (North). Observer Of The Human Condition.
Thursday, December 13, 2012
Under The (Needle) Gun
My wife, to a lesser degree, also enjoys watching these programs. She's adamant about the fact she will never get a tattoo, but I'm more than welcome to get another one when I feel compelled to expose my tender self to the ministrations (and needles) of artist and machine. She likes the really good pieces shown on "Ink Master" and cringes as much as I when she sees the "Tattoo Nightmares" badly in need of some sort of cover-up. I guess art, even if the skin is the canvas, is never really bad; just varying degrees of beautiful.
Art, tattooing...and running...do have a lot in common, if you take a few minutes (and a beverage of choice) to consider the similarities.
Discomfort or pain is the first quality which immediately comes to my mind. One need only refer back to the ever-quotable Steve Prefontaine, who once said, "A race is a work of art that people can look at and be affected in as many ways they’re capable of understanding." Anyone who has raced on the track, road, or trail; has laid out their muscle, heart and sinew as a near-daily, daily, or twice-daily offering to the racing and training gods can quickly say that the day's run or race is a willful exercise in patient suffering, in much the same manner as a client receiving ink. Ask an artist where they gain their inspiration, and some will refer to either their own or someone else's physical or psychic pain. Two words to anyone who might doubt this: Frida Kahlo.
During the other week's "Ink Master" episode, one of the competing tattoo artists, Jamie Davies, was chided by the judging panel for having no tattoos (exposed or not) on his body. The panel of three tattoo artists and one rock musician, recommended (before removing him from the competition) he receive a few tats of his own, just to know how it feels to expose skin to needle gun. How many writers prefer to scribble in journals rather than engage in the (sometimes self-glorifying) act of writing web logs, lyricizing, or performing poetry at open microphone nights? You might doodle in notepads and sketchbooks, or noodle on guitars, but does it mean that everything you do needs to be laid out for public scrutiny?
There are pieces I've seen people get put on their body which, when I asked them the story behind the ink, they had nothing to say. Marines who get the eagle, globe and anchor are about the only group...okay, Ironman triathlon finishers, too...where no story really need be elicited. Except, perhaps, that of "Parris Island or San Diego?" Or "Which course?" Yeah, you have that one guy who a couple of years ago said anyone who finished the 140.6 miles anywhere but Hawaii did not merit being called an Ironman, or sitting to receive the "M-Dot" tattoo until they did. But he's an army of one in that particular war.
A tattoo, especially a nice one, usually leads me to first ask the story behind the tattoo, then the name or location of the tattoo artist. If the story isn't compelling - and most of the really good pieces I've seen have one (it usually means the person wants to remember or communicate something special to them) - it doesn't matter who inked you.
But I go back to what we might call the "Jamie Davies Syndrome" when it comes to training and/or coaching. First, and most important to me as a coach, is to ask an athlete who wants to do a particular event, especially if they're on the verge of entering uncharted territory (like an IM70.3 event when they haven't done a lot of long-distance stuff, or attempting a marathon straight-off-the-couch) "is there a compelling reason to do this event?" They need to understand the degree of pain and discomfort (physical, psychological, social and emotional) involved to make it to completion. Good-looking multicolored tattoos which take up half a thigh or shoulder and impress the daylights out of the public will have you sitting on the business end of one or more needles for a few hours. Marathoners look at my "credentials" as a runner, rather than the outcomes of my athletes, and get a little bit cross-eyed. My failures as a coach have come from the trial-and-error of other plans on myself; not unlike letting someone else run a gun over my flesh. A good coach is one who knows and understands the pain you're going to go through, and, most importantly, won't let you go too much of the pain in training.
Don't let the regret of a bad training experience get in the way of a potentially good "story."
Thursday, March 29, 2012
Staying The Course During The Perfect Storm
"Do you have any idea what the USA Track and Field rule is about runners going off a race course? I know we've always used the old 'it's the runner's responsibility to know the course' dictum, but I can't seem to find any rule."
When it comes to triathlon I can cite the USA Triathlon competition rule to chapter-and-verse level. But USATF doesn't have a large presence around here, save for the fine folks of the Road Running Technical Council. Those are the people who tell me what to tell race directors who want race courses measured.
So, I ran back into my living room library and pulled my gently-used copy of the USATF Competition Rules. Once you get to the mid-point of the book - Rule 65, section 7 - USATF talks about what happens when racers leave the course: "65.7a. No competitor, after leaving the track or course, shall be allowed to rejoin a race either for the purpose of gaining a place or to pace or to assist another competitor." 65.7c then states: "In any track event of 20,000 meters or more, or in any road race, a competitor may leave the road or track with the permission and under the control of a judge or other authorized official, provided that by going off or returning to the course the athlete does not lessen the distance to be covered."
So, as long as the racer doesn't cut the course - and is supervised by an official or judge - then leaving the course is only a little inconvenience. It's not like the world, or the rest of the race field, will hit the "Pause" button until you return to the course. In the case of most recreational runners this is not an earth-shaking situation. It stands to reason that 99 percent of the time we're going to follow the runner directly in front of us...and hope like mad the entire lot of them didn't screw up. It's happened before; naturally, it's another good story.
However, for the elite runners, the fast guys and gals looking for a medal and/or a paycheck, that's the equivalent of working on a PowerPoint presentation for two-or-three hours, only to have the file go "toes-up" minutes before the meeting is to start. (I've had that before.)
Frustration only starts to describe ones' emotions. Train like mad for a potentially-nice pay day, and have a police officer turn the wrong direction or a course marshal "fall asleep at the switch?" Churchillian blood, toil, sweat and tears. For naught.
It's one of the reasons I took up course measurement. It was either that or spend thirty minutes at the packet pick-up begging for a course map, then studying every little detail. I absolutely needed to know the direction, the turns and the finish line...or at least where it was supposed to be...on race day. An extra 800 meters during a 5K will teach you that lesson.
Every athlete I have trained has heard me talk about the particulars of their upcoming race course, if I'd raced it in the past, to the smallest detail. For a short distance race, such as the 5,000-meters on the roads, it can mean a couple of extra seconds toward a personal best time. In the case of a half-marathon or longer, it can mean the difference between injury and a good day. Especially if you know the specifics of the terrain.
USATF Competition Rule 134.1 states: "Running courses shall be adequately marked at strategic points to keep the competitors on course. Each turn and intersection shall be clearly marked in such a way that there will be no doubt as to the direction the runner should go to stay on course."
As a course director for run portions of multisport events, I believe there's not enough a race director can do or place; whether it is chalk or paint on the asphalt, cones or barriers in the road, signs along the shoulders, and obnoxious human beings. Multiple back-ups are sometimes necessary to make certain nobody turns too early or wrong.
Of course, there are differences between road racing and multisport, especially when it comes to running. A set of headphones at a USAT-sanctioned event may earn at least one, and up to three, penalties, depending on the vigilance of the transition workers and referees. USATF strongly discourages their use for safety reasons, to include the ability to hear volunteer instructions.
The perfect storm of a half-informed lead driver, a briefly-distracted course marshal and a slightly under-marked course can ruin the runner's day. A study of the course map and a pre-drive of the course can make for a good "umbrella."
Wednesday, February 23, 2011
Grab Some (Yur)Buds?
And really, it's not the headphones which are evil. It's the way we tend to use them.
Tuesday, February 15, 2011
The Will To Prepare

Wednesday, May 16, 2007
X and Y: When Men and Women Run Together
One of the things I like about triathlon is the (relative) evenness of the playing field. While men and women don't necessarily compete against each other, the physical challenges of triathlon (endurance) narrow the gap to a degree that is smaller than running. The women are closer to the front of the pack here than in running events. I've also seen a more-even balance of women and men in the transition areas. If I'm wrong, please feel free to correct me. This is an observation from my experiences so far.
Still, when it's time to train, it's ideal for men and women to remain separate...unless it's an easy day for the guys and the women are in the mood to hammer. One of the Carmichael Training Systems coaches wrote about the hazards of men and women training together; she mentioned that while she was looked highly upon by her male training-mates, she was more fatigued and in danger of overtraining because she was hammering all of her rides.
I was listening to an interview with Desiree Ficker (BTW, is that her on the Inside Triathlon mag cover?) on a Competitor Radio podcast; she talked about "dropping the bomb" (ramping up the pace) during a workout or a race, as well as her male training-mates' fears of "getting chicked." I started to laugh when I heard the term, but it seems she's not the first person to use it.
So, are men fearful of getting beaten by women? I can say yes, beyond a doubt. Men don't want to be beaten in a race, much less in a training run. And it doesn't matter if the woman is a better athlete; the male (highly-fragile, easily-bruised) ego REFUSES to accept the (often-painful) fact that a woman, or any woman, can or will be better than him at anything. On the other hand, I've had one or two female athletes who didn't know the meaning of "this is training, not a race..."
One was truly a mentally-tough athlete who refused to quit, ease up or slow down. My coach and I had a lengthy talk about it once, where he reminded me that I am much the same: It would take realizing a bone was sticking out of our leg before making the decision to quit. Funniest thing, though, when I talked to her about it we both agreed that we would have asked a question on realization: "Whose bone?" Checking her heart rate in between sets was always entertaining...I could NEVER, ever, ever get her to think about recovery. However, she would be one of the first persons I'd call upon if I were putting an event team together, because I knew she'd give 110-percent without fail.
Some guys just are not smart enough to accept feminine advice. My wife is the kind of runner who can go for miles and miles at a nice, steady, aerobic pace and rarely fluctuate from it. I can't run with her because she's slower than I, though. I've tried before and hurt myself too badly. However, she's gone out on long runs with a couple of older gentlemen, who immediately drop the Fickeresque "bomb" at the beginning of the run, then die at six miles...not a good sign if you're preparing for a marathon. I've tried to tell the guys to go out at Suzanne's pace in order to get those eight to ten miles in without dying prematurely. I have the feeling I sound like John Belushi in Animal House every time I hear how hard they went out at the start and how bad they died at the end: '...you think they'd listen to me, but noooooooooooooo...'
